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      <image:title>About</image:title>
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  <url>
    <loc>https://www.endiboguehartigan.com/work</loc>
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  <url>
    <loc>https://www.endiboguehartigan.com/work/seaweed</loc>
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    <priority>0.5</priority>
    <lastmod>2023-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629506316df6af2046ce03c4/ab12ef40-0907-450c-a42f-2def6b06983f/20210910_165311+%281%29.jpg</image:loc>
      <image:title>Work - the seaweed sd treble clef (Oxeye Press)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629506316df6af2046ce03c4/8e9ec426-b30b-41ff-ab50-6a7cbb893437/20210530_101923.jpg</image:loc>
      <image:title>Work - the seaweed sd treble clef (Oxeye Press)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629506316df6af2046ce03c4/b08d6288-f7c8-41af-85b1-b5ac97beb134/20210526_125921.jpg</image:loc>
      <image:title>Work - the seaweed sd treble clef (Oxeye Press)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629506316df6af2046ce03c4/05185e36-978b-4c4c-8494-685da5b0b7c3/20210526_130022.jpg</image:loc>
      <image:title>Work - the seaweed sd treble clef (Oxeye Press)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629506316df6af2046ce03c4/600a2ee2-204f-41a4-ad0a-f5d5a01271f3/20210529_131110.jpg</image:loc>
      <image:title>Work - the seaweed sd treble clef (Oxeye Press)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629506316df6af2046ce03c4/8b632735-5a24-469b-a698-b4f12f0c10a5/20210530_101106.jpg</image:loc>
      <image:title>Work - the seaweed sd treble clef (Oxeye Press)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629506316df6af2046ce03c4/a6b98860-18bf-41e4-bbb7-aac1f095d997/IMG_0689%2Bcopy%2B2.jpg</image:loc>
      <image:title>Work - the seaweed sd treble clef (Oxeye Press) - the seaweed sd treble clef</image:title>
      <image:caption>Oxeye Press, 2021 This 12 poem sequence written from 12 photographs taken during 2018 is a tactile, incantatory give-and-take between coalescing and unravelling encounters, the washing in and out of natural forms and stark, tangled public realities. The language invoked by these washed up splays of seaweed is taut with physicality and slipping compounds—kelpnodule middledrink, empirelogic, and botanical swarms—investigating what is action and what is utterance.</image:caption>
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  <url>
    <loc>https://www.endiboguehartigan.com/work/pool</loc>
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    <priority>0.5</priority>
    <lastmod>2023-07-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629506316df6af2046ce03c4/bb379216-fde6-4fe7-a184-8ffef2c5ba98/20220604_144545.jpg</image:loc>
      <image:title>Work - Pool [5 choruses] (Omnidawn Publishing) - Pool [5 choruses]</image:title>
      <image:caption>Omnidawn Publishing, 2014 Selected for the 2012 Omnidawn Open Prize by Cole Swensen Finalist for the 2015 Oregon Book Award - Stafford/Hall Award for Poetry Endi Bogue Hartigan’s Pool [5 choruses] takes the reader into a porous realm where singular and multiple voices fuse. In the context of high levels of public noise—reportage on the last decade of U.S. wars, elections, economics, more—the voices of these poems ask the reader to “separate out the chorus from the noise, separate us.” A journey into the accruals, interstices, separations and resistances of pooled and individual song, Hartigan’s poems explore the lyrical voice as a physical stream of sensual sound. How do we distinguish personal cry from choral cry, the “fragile, wet word of the spirit” from an over-lit or collective presence? Where does noise become its own form of silence? What is it to name perception—a local parade, a loved one, a singular shade of yellow—within a continually recalibrating multiplicity? This music moves through a complex intimacy–a world in which a woman’s reflection is never still, and a nation’s reflection is never still—and where the spectral, dizzying stage light holds a familial back yard and a choral shroud simultaneously. Many thanks to artist Betty Merken and Laura Russo gallery for the image of the painting "Ascent" on the cover of this book.</image:caption>
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    <loc>https://www.endiboguehartigan.com/work/oclock</loc>
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    <lastmod>2023-07-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/629506316df6af2046ce03c4/83fb9ca0-1e51-454c-be8a-90634cfd00c7/oh-orchid-o%27clock-share-web.png</image:loc>
      <image:title>Work - oh orchid o'clock (Omnidawn Publishing) - oh orchid o’clock</image:title>
      <image:caption>Omnidawn Publishing (April 2023) Poems that break down, expose, and reconsider our notions of time. This collection speaks the language of the clock as a living instrument, exposing the sensory impacts of our obsession with time. In oh orchid o’clock, lyrics wind through histories like a nervous system through a body. The poems speak to how we let our days become over-clocked, over-transactional, and over-weaponed. With an instrumental sensibility, Endi Bogue Hartigan investigates what it is to be close to time—collective time, with its alarms and brutalities, and bodily time, intricate and familial. She considers how can we be both captured and complicit within systems of measurement, and she invites us to imagine how to break from, create, or become immune to them. Her poems use language to expose the face of the clock to reveal how gears press against interconnecting systems—economic, capitalist, astronomical, medical, governmental, and fantastical. Many thanks to Thérèse Murdza for the image of the painting “untitled 08-1822 (i love how you know the roses)” on the cover of this book.</image:caption>
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  <url>
    <loc>https://www.endiboguehartigan.com/work/onesunstorm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629506316df6af2046ce03c4/f34a3ef4-ab8d-479c-b2b6-4cbc3fba7710/book_sun.jpg</image:loc>
      <image:title>Work - One Sun Storm (Center for Literary Publishing) - One Sun Storm</image:title>
      <image:caption>Center for Literary Publishing (CLP), Colorado State University, 2008 Selected by Martha Ronk for the 2008 Colorado Prize for Poetry Finalist for the 2009 Oregon Book Award -Stafford/Hall Award for Poetry One Sun Storm explores a desire toward a singular clarity that is continually expiring from its hold. The poems play with a splitting apart of instances/images/perceptions through diaristic or iterative forms and lyrical variations.</image:caption>
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  </url>
  <url>
    <loc>https://www.endiboguehartigan.com/work/floweringribs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/629506316df6af2046ce03c4/83ea0287-1f5f-4a1e-b522-1f64955d9351/2012.floweringribs.jpg</image:loc>
      <image:title>Work - out of the flowering ribs - out of the flowering ribs</image:title>
      <image:caption>This collaborative hand-made limited edition chapbook of poetry with images of drawings by visual artist Linda Hutchins includes work generated from the joint exhibit, silver and rust. silver and rust was a collaborative exhibit with Linda Hutchins, at Nine Gallery, in Portland, Oregon in 2011. Endi and Linda collaborated in a process-based exhibit, in which Linda drew on the walls of the gallery using silver thimbles on her fingers, and Endi wrote and presented poems in the space. Lines of Endi’s poems were also written along the top beam of the room.</image:caption>
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    <lastmod>2022-06-18</lastmod>
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